Tuesday 28 April 2015

Skills For Radio News Reporter

                            Skills For Radio News Reporter          

                1.Speaking - Talking to others to convey information effectively.
                2.Active Listening - Giving full attention to what other people are saying, taking time to understand the points being made, asking questions as appropriate, and not interrupting at inappropriate times.
                3.Critical Thinking - Using logic and reasoning to identify the strengths and weaknesses of alternative solutions, conclusions or approaches to problems.
                4.Reading Comprehension - Understanding written sentences and paragraphs in work related documents.
                5.Time Management - Managing one's own time and the time of others.
                6.Social Perceptiveness - Being aware of others' reactions and understanding why they react as they do.
                7.Writing - Communicating effectively in writing as appropriate for the needs of the audience.
                8.Judgment and Decision Making - Considering the relative costs and benefits of potential actions to choose the most appropriate one.
                9.Coordination - Adjusting actions in relation to others' actions.
                10.Complex Problem Solving - Identifying complex problems and reviewing related information to develop and evaluate options and implement solutions.
                11.Active Learning - Understanding the implications of new information for both current and future problem-solving and decision-making.
                12.Monitoring - Monitoring/Assessing performance of yourself, other individuals, or organizations to make improvements or take corrective action.
                13.Persuasion - Persuading others to change their minds or behavior.
                14.Service Orientation - Actively looking for ways to help people.

                15.Negotiation - Bringing others together and trying to reconcile differences.

Monday 27 April 2015

Types of TV News


                                    

                                               Types of  TV News

   
1.Breakfast television
television programmes that are broadcast early in the morning
2.Broadcast
a programme that can be seen or heard on radio or television
3.Bulletin
a short news broadcast
4.Call-in
a phone-in
5.Chat show
a television or radio programme in which famous people talk about themselves and their work
6Closed-captioned
a closed-captioned television programme has the words being spoken written at the bottom of the screen for people who do not hear well
7.Docudrama
a television programme or film based on events that really happened
8.Documentary
a film or television programme that deals with real people and events
9.Docusoap
a television programme series about the lives of real people
10.Feature
a part of a programme on television or radio that concentrates on a particular subject

11. News from States
12. News Paper Scanning.
13. Headlines.

Television news writing

             

                 Television news writing


  • 1. WRITING OF THE NEWS•News is very important thing in todays media scenarioand there are a numbers of factors to modify theimportance of news in actual practice.•The policy of news medium may increase or diminishthe importance of the story.The class of viewers andlisteners that dominates the audience of a channeldetermines largely what is news for that medium.•The amount of time available on television determineswhether is told briefly or in detail and thus time alters thevalue of a news story.•Repeating the same news also sometimes decreases theimportance of a news story.
  • 2. How to write the news?• The news story is totally and radically different from all other kinds of composition. A narrative, a short story, a novel, a play, a drama, book, or a film script begins with a description of the background or with the introduction of various characters and conditions. The story ends soon after the climax is reached.On the contrary, a standard news story starts with the climax and leaves the details for the closing sentence.• The story in all other cases opens gradually and major information is given in middle of a story while innews it opens with a bang all concrete things are mentioned at start and then the relevant detail is described
  • 3. Contents of newsWhat?What happened? What is the event?When?When it occurred, at what time it took place?Where?The place, where the incident occurred.Who?The persons involved at that occasion.Why?The reason of that particular issue.How?The sequence of the event
  • 4. Characteristics of Writing• There are four Cs to broadcast journalism: – Correctness—or accuracy – Clarity—clear, precise language that contains no ambiguity; viewers cannot re-hear broadcast news— they must understand it the first time – Conversational—broadcast news must sound more conversational b/c people will be reading it aloud – Color—writing that allows the listener to paint a picture of the story or event being reported.
  • 5. Characteristics of Writing• News more than an hour or two old may be considered stale.• The maximum length for almost any story is two minutes; normal length is 30 seconds.• Slang and colorful phrasing is generally not permitted in broadcast news.• Should be written in the present tense.• Omit the time element in most news stories.• Broadcast writers have to produce in a highly pressurized atmosphere: deadlines are imminent.
  • 6. Story Structure• Dramatic Structure—most common structure for broadcast news; it has three parts: – Climax—gives the listener the point of the story in about the same way the lead of a print news story does; it tells the listener what happened. – Cause—tells why the story happened—the circumstance surrounding the event. – Effect—gives the listener the context of the story and possibly some insight about what the story means.
  • 7. Story Structure• Broadcast journalists think of their stories as completed circles, not inverted pyramids.• Stories must be written to fit into the time designated by the editor or news director.• Getting the listener’s attention is of top importance in broadcast news! The first broadcast news story sentence should be an attention getter!• Broadcast news stories cannot go into the detail and explanation that print or web stories can.
  • 8. Style of writing• Conventions of Broadcast Writing: – Titles usually come before names. – Avoid abbreviations, even on the second reference— except FBI and UN. – Avoid direct quotations if possible. – Attribution should come before a quotation, not after it. – Use as little punctuation as possible, but enough to help the newscaster through the copy.
  • 9. Style of writing• Numbers and statistics should be rounded off: – Numbers one through nine should be spelled out; numbers 10 through 999 should be written as numerals; write out hundred, thousand, million, billion, and use a combination of numerals w/these numbers where appropriate (i.e. 15-hundred) – Don’t write a million or a billion, but one million, one billion
  • 10. Style of writing• Personalize the news when possible and appropriate (use the word “you”).• Avoid external description—President and chief executive office of the University of South Alabama should just be stated: USA President…• Avoid using symbols when you write.• Use phonetic spelling for unfamiliar and hard to pronounce names and words.• Avoid pronouns whenever possible.• Avoid apposition—a word or set of words that renames a noun: ie: Tom Smith, Mayor of Mobile.
  • 11. Style of writing• Use the present tense when it is appropriate.• Avoid dependent clauses at the beginning of the sentences. – Ex: Stopping at the first leg of his European tour…
  • 12. Types of formats• Mini documentary—This format allows a story to run more than a minute, and as long as 15 minutes. It allows for a variety of sound bites, interviews and even music to be incorporated into the broadcast.
  • 13. Types of formats.– Reader copy: Read by an anchor– Voiceovers: Reporter speaks over video, with original sound turned down, or off– Voiceover to Soundbite: Reporter talks over the video until time for the soundbite, then his voice is turned down and the soundbite is turned up
  • 14. Types of formats• Television newscasts can use any of the following formats: – Package Stories: Anchor introduces a prerecorded mix of video, sound, voice and standup reporting – Live Shots: An anchor will introduce the story and tell the audience that the broadcast is going live to the scene, then the reporter on the scene takes the story from there, either with standup, or interview.
  • 15. Piece to camera

Planning and Conducting Various Types of Interviews

                                
                                  Planning and Conducting Various Types of Interviews


Interviews allow you to gather information
from respondents by asking them questions
directly (rather than having them complete
answers on their own, such as by filling out
a questionnaire). Interviews may be done
in-person or by telephone. Interviews tend
to be more time-consuming and expensive
to conduct than surveys, but can also yield
a better response rate. Interviews are most
useful when you need in-depth information
about people’s experiences or perspectives
or when you want to interact with your
respondents, by clarifying questions or
providing them with information.
Interviews vary in their degree of structure
and formality. Less formal interviews may
be useful if you are exploring a broad topic
or conducting interviews with very diverse
participants. More structured interviews
are useful when it is important to collect
consistent information across all of your
participants. Interviews generally fall somewhere
along the following continuum:
1. Informal, conversational interview —
No predetermined questions are asked, in
order to remain open and adaptable to
the respondents’ nature and priorities.
2. Semi-structured interview —
The same general areas of information
are collected from each respondent,
providing more focus than the informal
approach. However, the specific
questions, and the way that they are
asked, may vary each time, allowing
some flexibility in getting information.
3. Structured interview —
All respondents are asked exactly the
same questions and provided with a
consistent set of response options.
While this approach is less flexible, it
makes it easier to analyze and report
responses.
When interviews are structured, it is
important that they be done consistently
each time. If more than one person is going
to conduct interviews, provide training in
advance, including opportunities to conduct

practice interviews.
While people are usually willing to be
interviewed, some may refuse. People are
more likely to agree to an interview when
their initial contact with an interviewer is
positive. On making initial contact:
  Maintain a positive attitude and be
enthusiastic.
  Explain the purpose of the interview,
the kinds of questions you will ask,
how long the interview usually takes,
and how the information will be used.
  Allow the respondent to ask questions
before beginning the interview.
  If someone seems reluctant to participate,
ask about their concern or objection and
try to address it – this is more effective
than being pushy.
Practice your introduction before contacting
respondents…people respond more favorably
when you sound like yourself and not as
though you are reading from a script.
Conducting the interview
Interviews allow you to establish rapport
with respondents. Before starting, use small
talk to give yourself and the person you are
interviewing a chance to get comfortable.
Once you begin the interview:
  Ask questions at a reasonable pace.
  If the interview is structured, read each
question exactly as written and in the
same order every time.
  Read the entire question before
accepting an answer.
  When asked to repeat a question,
repeat the entire question.
  Do not skip a question because it was
answered earlier or because you think
you know the answer.
  Encourage responses with occasional
nods of the head, "uh huh"s, etc.
  Provide transition between major topics,
e.g., "we've been talking about (some
topic) and now I'd like to move on to
(another topic)."
  Do not count on your memory to recall
their answers. Ask for permission to
record the interview or take notes.
  Do not allow the person you are
interviewing to continually get off
topic. If the conversation drifts, ask
follow-up questions to redirect the
conversation to the subject at hand.
  Avoid getting into casual conversation
or discussing issues, topics, and viewpoints
that are related or unrelated to
questions on the survey.
If you plan to conduct the interview in
person, be thoughtful about where it will
take place. Make sure the location is
comfortable for the respondent, such as
their home, work place, or other location
they prefer. The setting should be quiet and
private, so that you can conduct the interview
without violating confidentiality.
Avoiding bias
One disadvantage of interviews is the
possibility of respondents changing their
answers to please the interviewer or avoid
embarrassment. It is important to prevent
bias when conducting interviews. Do not
express your own attitudes, opinions,
prejudices, thoughts, or feelings during
the interview.

The following tips can help you avoid
influencing the respondent’s answers:
  Do not show surprise, approval,
or disapproval with your words,
gestures, or expressions to anything
the respondent says or does.
  Do not disagree or argue with someone
even if they express opinions you feel
are wrong.
  Do not become too familiar or casual
by sharing personal information.
  Do not laugh too much or make the
interview seem like a friendly
conversation.
  Do not seek clarification in a way
that leads the respondent toward one
particular answer.
Probing for more information
Interviews provide the opportunity for you
to explain or clarify questions, and allow
you to explore topics in more depth than
you can with a survey. Use “probe” questions
to obtain more information about answers
that are incomplete, unclear, or irrelevant.
Common probes include: “Could you be
more specific?,” “Could you give me an
example,?” or “Could you explain that?.”
Probes should be asked in a neutral way, and
should not be used to pester or coerce someone
into answering uncomfortable questions.
Other recommendations for using probes:
  Never use leading probes. If you are not
sure what a respondent means, ask the
question again or ask for clarification.
  Probe responses to closed-ended
questions if the respondent selects an
answer that was not on your list.
Repeat the entire list of options, instead
of trying to guess what was meant.
  Respondents sometimes say “Don’t
Know” because they didn’t understand
the question, didn’t hear the entire
question, or are not sure how to answer.
If someone says that they “don’t know”
an answer, probe at least once. Reading
the question again can be effective.
  If someone does not want to answer a
question, probe one time. If he or she
still doesn’t answer the question, move
on to the next question. Sometimes it is
helpful to reassure the respondent
that all answers are confidential.
  Probe for clarification and inconsistencies.
Make sure that you understand what
the respondent is saying. If you don’t
understand what a respondent means, ask.

 10 tips on conducting effective                   interviews

#1: Determine your objective

Before you schedule the interview, determine why you want to have it. What information can you gain from the interviewee? How will this information help you achieve your other goals? How will you be better off after having conducted this interview?

#2: Outline your areas

You certainly could write out the questions you plan to ask the interviewee and then read them aloud at the interview. However, this approach may make you look stilted and artificial, and it could hinder the flow of information. Furthermore, by reading your questions, you might miss nonverbal cues, such as body language, that could indicate an area for further questioning.
A better approach is to outline the general areas you want to cover. I do so at the top-right corner of the first sheet of the tablet I'm using. After I discuss an area, I cross it out.

#3: Pick the location

Meeting at the interviewee's office may make that person more at ease. Be aware of the possibility, though, that the interviewee might instead think you are invading his or her space. In that case, a neutral location, such as a conference room, cafeteria, or even Starbucks might be more appropriate. Present these alternatives and work things out with the interviewee.

#4: Observe standards of etiquette

If you're meeting in the interviewee's office, knock before entering. Don't sit down until invited to do so. During the interview, keep things to yourself. If you start invading the interviewee's personal space (for example, by gradually taking over the person's desk), the latter will become less willing to talk. See below for other reasons you should keep your notebook and other items near you.

#5: Open with standard rapport/small talk

Before starting the interview, take a few moments to get to know the interviewee. Ask the standard questions and make standard comments about weather or make positive comments about the meeting room or office or mementos on the interviewee's desk. However, be careful about speculating on photographs. That child whom you think is a grandson or granddaughter might actually be a son or daughter instead. A college or high school photo of the interviewee could cause problems if you say, "You looked great back then." Instead, keep your comments general, as in, "What a great photograph."
Once you've spent a few minutes with the getting-acquainted talk, you can start transitioning to the interview. To signal this transition, shift position in your seat , begin to take out a notebook or tablet, or say something like, "I appreciate your time. As you know, I've come to discuss...."

#6: Distinguish open and closed questions

Open questions begin with words such as "Who," "What," "Where," or "When." That is, they give the other person a chance to give a narrative response, without being confined by the question. Such questions are good when one is seeking general or background information. Their disadvantage is that they can cause an interviewee to ramble on endlessly.
Closed questions, on the other hand, call for a specific answer, usually a "Yes" or a "No." A person who asks a closed question is usually seeking a particular answer to a particular question. The disadvantage of closed questions is that in using them, you may be jumping too quickly to conclusions.
Both types of questions have their place during the interview. In general, begin with open questions. At this point, you want to get the big picture and to avoid jumping to conclusions or making wrong assumptions. When you ask open questions, you allow the other person to bring up matters you then can focus on more specifically.
As the interview progresses, use closed questions either to confirm your understanding or to explore in more depth the matter being discussed. You can also use closed questions to help control the rambling interviewee. If you think you know the point he or she is making, cut to the chase by asking a question such as, "So if I understand, your point is that..."? If you're right, the person will agree, and you will have saved time. If you're wrong, the person will let you know, and (you hope) will summarize the point quickly.

#7: Use notations to record impressions

When I take notes, I draw a vertical line one-third from the left of the page. On the right side, I will record the interviewee's comments. On the left side, I will record impressions and reactions, and reminders of things I should follow up on. In particular, if I hear something that clashes with what I already know or have been told, I will note the comment accordingly.
Be careful about your notations, though. People can read upside down. If you write "ridiculous" on the left side, the other person may take offense. A better alternative is to develop your own set of codes -- one for "ridiculous," another for "follow up," etc.

#8: Hide your notepad and pen

Try to hide your notepad and pen while you're writing. Rather than write on a table or desk, keep the pad and pen in your lap so that the interviewee can't see any notations you've made. Furthermore, the person won't be able to see whether you're writing anything at all. If the interviewee sees you writing in reaction to some comments and not others, it might affect what he or she is saying or planning to say.

#9: Use tact when exploring sensitive issues

You may be conducting an interview to determine the cause of some high profile problem or failure. Perhaps you're interviewing someone who either caused the problem or is connected to it. In this case, tact and diplomacy are important, not only from a courtesy standpoint, but more pragmatically, to maximize the chances you get the information you are seeking.
Be careful about the word "you," because its overuse can make people feel defensive. Instead of saying, for example, "What factors led you to make that decision?" consider a passive construction, such as, "What factors led to the making of that decision?" Similarly, a hypothetical construction can soften a question, such as, "What might have caused the accident?"
I'm not saying you always have to use such techniques. Rather, I'm recommending that you consider such alternatives before asking your questions.

#10: Contradict with caution

Be careful when confronting an interviewee who gives you contradictory information. That person might be innocently mistaken or might have recalled things incorrectly. Calling him or her a liar will hardly endear you, and it certainly won't advance the interview. Instead, consider a statement such as, "That's interesting, because I've heard different things from other people...." Making this kind of statement signals that you may not disagree, but that the other interviewees might. You could go one step further and adopt the Columboapproach -- namely, pleading ignorance and lack of familiarity, then asking the interviewee to explain differences with you have heard elsewhere.

How to become a News Reporter or News Anchor



                                       How to become a News Reporter or News Anchor

Being a TV reporter or news anchor is an exciting and fast-paced profession. However, if you're in it for just the glamour and the glory, then you may have to rethink your priorities. Being a TV reporter or news anchor not only requires hard work, rigid deadlines, and the ability to talk to the most difficult people, but you may also find yourself spending six hours in 20 degree weather waiting for a hostage situation to break. If you think you have the guts, stamina, and dedication to be a TV reporter or news anchor, then follow these steps.

1
Be an articulate speaker. Your voice is key in this field. You should concentrate on projection, enunciation, and inflection. All of these things will help you deliver your “script” in a compelling nature. Be authoritative in your speech. This will give you credibility with your audience. Read newspapers and magazines aloud. Listen to the best journalists in the field when they speak and try to emulate them.
  • You'll have to speak loudly and slowly enough for people to understand you, but quickly enough to cover everything you have to say in a given amount of time.
2
Look good on camera. This doesn't mean that you have to look like a movie star or a Victoria's Secret model. You don't even have to be classically handsome or beautiful. You do, however, have to look appealing on camera, and have that special quality that makes people want to watch you doing whatever you do. This is a mixture of charisma, confidence, and that special something that will make people respond to you even if you're covering a story about a local bake sale.
  • Unfortunately, it can go the other way -- you may be incredibly attractive but may come off as lackluster on camera. Don't think that your looks are a golden ticket to the profession.
3
Have killer people skills. If you want to succeed in the world of TV reporting or news anchoring, then you have to be able to talk to anyone about almost anything. If you're reporting, you may have to talk to people live, on site, and on camera, even if they aren't comfortable, and your job will be to make them comfortable. If you're an anchor, then you'll have to introduce people to your audience and talk to them in the studio, and use the same skills to make them open up and feel at ease.
  • You may not realize that many reporters and news anchors have to write and investigate their own stories, but this may actually be a large component of your job. If this is the case, then you'll need to be able to talk to a variety of people who can give you access to the information you want.
4
Be free from bias. Tough one, eh? If you want to be an honest TV reporter or news anchor, then you'll have to learn to put your prejudices aside. Even if you lean a certain way politically or feel biased against certain professions, people, or regions, you'll have to do your reporting as objectively as possible. You won't be able to let the people you interview see through to your personal beliefs, or you won't be giving people the honest, unbiased news that they really want.
  • If you're prejudiced against certain people, they will be much less likely to open up to you.

Skills for TV News Casters




                                              Skills for TV News Casters

news presenter – also known as a newsreadernewscaster  is a person who presents news during a news program ontelevision, on the radio or on the Internet. They may also be a working journalist, assisting in the collection of news material and may, in addition, provide commentary during the programme. News presenters most often work from a television studio or radio studio, but may also present the news from remote locations in the field related to a particular major news event.


A newscaster presents news stories and introduces video and live feeds from on-the-scene reporters. Newscasters report the news to television audiences and generally read reports from a teleprompter. Newscasters can find work in different specialties, which may include local or national current events, sports or weather. The job of a newscaster is to be trustworthy, control the program and regulate the mood of a television audience.
Newscasters must have a pleasing voice and appearance. Newscasters need to be trustworthy and have excellent communication skills. Anyone looking to begin a career in this field needs to be prepared to meet deadlines, work irregular hours and have tremendous reading comprehension skills. Computer skills are becoming increasingly important and can help newscasters stay informed and up to date on current topics and trends.




Skills for TV News Reporter

                                                  Skills for TV News Reporter


1. Knowledge base: An understanding of issues, names, geography, history and the ability to put all of these in perspective for viewers. It comes from the journalist’s commitment to being a student of the news.
2. Ability to process new information: Sorting, organizing, prioritizing and retaining massive amounts of incoming data.
3. Ethical compass: Sensitivity to ethical land mines that often litter the field of live breaking news — unconfirmed information, graphic video, words that potentially panic, endanger public safety or security or words that add pain to already traumatized victims and those who care about them.
4. Command of the language: Dead-on grammar, syntax, pronunciation, tone and storytelling — no matter how stressed or tired the anchor or reporter may be.
5. Interviewing finesse: An instinct for what people need and want to know, for what elements are missing from the story, and the ability to draw information by skillful, informed questioning and by listening.
6. Mastery of multitasking: The ability to simultaneously: take in a producer’s instructions via an earpiece while scanning new information from computer messages, texts or Twitter; listen to what other reporters on the team are sharing and interviewees are adding; monitor incoming video — and yes, live-tweet info to people who have come to expect information in multiple formats.
7. Appreciation of all roles: An understanding of the tasks and technology that go into the execution of a broadcast, the ability to roll with changes and glitches, and anticipate all other professionals involved.
8. Acute sense of timing: The ability to condense or expand one’s speech on demand, to sense when a story needs refreshing or recapping, to know without even looking at a clock how many words are needed to fill the minute while awaiting a satellite window, live feed or interviewee.